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allemande Son premier roman, Sons For The Return Home (1973) fut « immédiatement acclamé comme un chef-d’œuvre, et établit un modèle suivi ensuite par de nombreux écrivains néo-zélandais ». Consultez la liste des tâches à accomplir en page de discussion. The village of Saula, caught in the grip of a mysterious stench in ‘I Will Be Our Saviour From the Bad Smell’ has a chicken-and-egg problem—should the villagers find the cause of the smell or just try and get rid of it?   colonialisme The critic Subramani considers the evolution of short fiction from oral to written form to be an outstanding feature of Pacific writing in English, and Wendt was among the most notable experimenters in this genre. The self-reflexive storytelling techniques Wendt mobilises allow him to play with the possibilities of inter-gender and multicultural communication. Ou était-ce, comme l’avait dit Keith avec son air réfléchi de personne aux idées claires, lors de leur troisième année du secondaire, que "nous, pauvres mecs, on doit se serrer les coudes dans cette société pourrie qui nous en veut ?" Moving through anti-colonial and postcolonial positions, Wendt argues that Pacific writers have ‘indigenised and enriched the language of the colonisers and used it to declare our independence and uniqueness’. Hard-hitting in its descriptions of racism, frank in its evocation of youthful sexuality, even-handed but also harsh and tender in its vision of flawed humanity, the novel was immediately recognised as important, not only for its subject material but because of its success in fusing literary styles with colloquial speech and oral narratives. With the reunification of Germany came the re-privatization of the company. 1 (1978) published ‘The Artist and the Reefs Breaking Open’, which took the idea of the breaching of a coral reef as a metaphor for the way colonialism both threatened and invigorated Pacific societies, and beyond that, to signify the oppositions (inside/outside, protection/stagnation) that can characterise the relationship between an artist as individual and the social structures engaged with. Poète et romancier samoan, Albert Wendt écrit sur la vie quotidienne dans son archipel natal. primaire traditions Despite all the changes wrought by time, Wendt & Kühn has remained a traditional manufactory with very deep roots to this very day. A new collection of poems, From Manoa to a Ponsonby Garden was published by Auckland University Press the same year. En 2013, il fut nommé membre de l'Ordre de la Nouvelle-Zélande, l'ordre le plus prestigieux du pays, limité à vingt membres vivants[1]. ", Rejoignez Babelio pour découvrir vos prochaines lectures. On October 1, 1997, Tobias Wendt, the youngest son of Hans Wendt, entered the fold as the third generation principal of the family-run company. Many of the poems are set firmly in Samoa, though the ideas of rootedness and transience emerge as ambivalent elements, as do observations on the simultaneous presence of ancient gods and rampant consumerism. banlieue En 1980, il obtint le Prix Montana pour son ouvrage Leaves of the Banyan Tree (Les Feuilles du banyan). Vous pouvez partager vos connaissances en l’améliorant (comment ?) Just one year later in 1916, the young company exhibited for the first time at the Leipzig Spring Trade Fair. Based in New Zealand and Hawaii, the story follows the lives of an urban tribe, a group of friends held together by shared lifetimes, love and fierce loyalty. The title comes from a series of lithographs by the painter Ralph *Hotere produced to mark nuclear explosions. With the publication of Leaves of the Banyan Tree (1979), a family saga that crossed three generations, Wendt sets what has been called ‘a capitalist’s tragedy’ (*Landfall 135, 1980) in a ‘fallen epic world’ (Subramani). A number of theoretical publications appeared during the 1970s, in which Wendt elaborated on the relationship between artist or writer, society and Pacific cultures. Whetu Moana: Contemporary Polynesian Poems in English (Auckland University Press, 2003) edited by Albert Wendt, Reina Whaitiri & Robert Sullivan is the first anthology of contemporary indigenous Polynesian poetry in English edited by Polynesians. One section is transposed from Flying Fox in a Freedom Tree. années 60, Qui a dit: "L'ennui dans ce monde, c'est que les idiots sont sûrs d'eux et les gens censés plein de doutes. Est-ce que la Tribu d’Aaron, Paul, Keith, Mere et Daniel a vraiment scellé un pacte, signé un contrat – ou quelque chose de ce genre – garantissant que, selon les mots de Daniel lors de leur dernière année à l’école primaire de Freemans Bay, ils seraient toujours copains et ne se laisseraient jamais tomber ? Élargissez votre recherche dans Universalis. Ou est-ce venu naturellement plus tard ? See more of Albert Wendt on Facebook The Adventures of Vela (Huia, 2009) won the Commonwealth Writers' Prize for the Asia Pacific Region. He often visited local craftsmen in their workshops and acquainted them with the latest technical innovations of the time. An ambitious novel written with what Roger Robinson described as ‘muscular vigour which evinces a powerful imaginative grasp on the physical world’, it explores a tension between the belief in fiction as a testing ground for sociological reform and the pull of psychological drives towards individualism and self-destruction, again with philosophical enquiry a potent element in the thought. Lire la suite, Dans le chapitre « La recherche d'esthétiques plurielles » selon les recommandations des projets correspondants. Ou est-ce que leur alofa, leur loyauté mutuelle indiscutable, s’est trouvée scellée lors de la première semaine à l’école primaire dans la classe de mademoiselle Baystall ? Whetu Moana: Contemporary Polynesian Poems in English won the Montana Award for Reference and Anthology at the 2004 Montana New Zealand Book Awards. Biographie; Naissance: 27 octobre 1939 (80 ans) Apia. This subversive, sometimes self-destructive impulse, an underlying trickster’s rebelliousness, was identified by Robinson as working in Wendt’s texts in counterpoint with the ‘responsibilities’ of his leadership role. La religion traditionnelle est une forme de pant […] Wendt called it an ‘allegorical thriller’. Albert Wendt, né le 27 octobre 1939 à Apia, est un poète et écrivain samoan. Maui, the Maori trickster figure, with his ability to supervise supernatural change, though human in his subjection to death, is an important recurring motif. Cet homme de lettres, peut-être le plus connu du Pacifique sud, tente d'offrir un contrepoint aux portraits souvent très romantiques ou à connotation raciste que brossent les étrangers des Polynésiens.Né le 27 octobre 1939 à Apia, dans les chroniques Out of the Vaipe, the Deadwater was named as one of Auckland Libraries' 'Top 100 books of 2015'. Albert Wendt is a New Zealand Book Council Patron. In Ola (1991), set in New Zealand, Israel, Japan and Samoa, questions about how identity is shaped in a diasporic century are set in the context of religious faith and global mobility. Sharrad presents a chronological treatment of all Wendt's major works revealing the imaginative power that drives them and the way in which they draw deeply on indigenous tradition while expressing the discontinuities, ambiguities and subversions of the postmodern consciousness. Peleiupu remarqua rapidement que, à mesure que Stenson buvait le whisky, son teint blanc de jade devenait rosé et perdait sa pâleur maladive et il semblait avoir davantage confiance en lui.     He has opened up the Pasifika experience to all New Zealanders. POSTCOLONIALES ANGLOPHONES (LITTÉRATURES), https://www.universalis.fr/encyclopedie/albert-wendt/, dictionnaire de l'Encyclopædia Universalis. ‘Towards a New Oceania’, originally published in Mana, Vol. In 2013 he was awarded the highest possible honour in New Zealand's honours system, becoming a member of the Order of New Zealand. À travers ses œuvres de fiction, il dépeint ainsi les traditions et les mœurs des Papalagi (d'origine européenne) ainsi que leurs répercussions sur la culture samoane.       The Book of the Black Star (2002) combines words and images in short poems, drawing on Samoan language and myth, dreams and memories, as well as on the daily life of the poet. Step by focused step, machinery was modernized, the old workshops carefully renovated, the historic half-timbered house restored and new production buildings constructed. Related Pages. Olly, who was later to become the wife of Johannes Wendt, not only designed her own figurines, such as 1925’s popular Moon Family, she most notably also became the creative force behind many of our fanciful painting precedents. In 2015 Wendt & Kühn celebrated its 100th anniversary in a manner most befitting – together with employees, friends and dealers from all over the world. - Ça va papa ? Il occupera par la suite cette fonction dans divers établissements supérieurs de son pays natal, des Fidji et de Nouvelle-Zélande. Initially as production engineer and a little later as managing director; all leading up to January 1, 2002 when he assumed the helm of the company from his father. Albert Wendt: Birthdate: April 02, 1894: Death: August 08, 1960 (66) Place of Burial: Kingfisher, Kingfisher, Oklahoma, United States: Immediate Family: Husband of Anna Wendt Father of Private; Pauline Erna Christine Collins; Private and Emil Wendt. Publication of the prize-winning design led to a rush of orders for the three little “Berry Children” which were initially met by specially commissioned toymakers as well as by the Wendt family in their own home.

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