The events described in Alanis Morissette's song "Ironic," like rain on your wedding day, are not examples of irony. Daddy's despair and futility over his life are boiling to the surface just as he's arriving home. Ansonsten: Musik machen (an der E-Gitarre und im Heimstudio), Musik hören und sammeln (auf CD, vorzugsweise), über Musik sinnieren und darüber schreiben... war da noch was? Psychologist Carl Jung created the term as a way to explain paranormal events. I can still recall the balmy summer of 1979 when, as a boy scout, building an improvised bivouac shelter made from branches and fern leaves with friends in a forest in Wales, a small transistor radio kept us company with the sounds of the season. The dinosaurs were wiped out by a bloody great asteroid smashing into the earth which doesn’t really compare to the human race hoisting itself by its own petard.". Die womöglich feinste Songsammlung ihrer Karriere – aber auch die letzte. Erst später, als ich erfahren habe, welche Arbeit der Mann in seine Musik steckte, bin ich zum Fan geworden. Auch Stewart Copeland gab fairerweise zu, beim ersten Hören gewusst zu haben, der Song sei „the Big One“. We all went back that night - we had a house in Long Island, all of us, with our families and we sat round, put the fire on, and we'd just had this huge triumph, and I turned to Andy and said 'It doesn't get any better than this we should really stop'. It Opens with the current single 'Every Breath You Take', a rather plodding tune with a basic theme of jealousy. 'Wrapped Around Your Finger' takes a longer, colder view of the institution of marriage. enough! Collaborating with T Bone Burnett, Leslie Phillips changed her name and left her Christian label behind - Robert Plant, who recorded one of her songs on Raising Sand, is a fan. I think this may be a concept album. Ugh. But to have a creative outlet for feelings that would normally be ground up and internalised and reformed - you feel cauterised. Before this LP, his global pessimism was countered by a streak of pop romanticism. Sting hatte … 'Synchronicity' is all big, vibrant, complex sound performed with great clarity, even grace. Hach … das war wieder einmal schön zu lesen. The album of course was huge. Nicht schön…. Making of The Police Synchronicity – The other way of stopping. The familiar Jamaican rhythms are still prevalent and Stewart Copeland provides varying drum beats that could get cats dancing, but it's all to no avail. It didn’t matter to us that the trio had hitched its wagon to punk’s spiky aesthetic or that guitarist Andy Summers was actually older than some of our parents. The opening title track, a high, tinkling piece that sounds as if it is being played at the wrong speed, is one of the less happy examples. Synchronicity, Film: Wir freuen uns, dass Du einen umfangreichen Beitrag beisteuern möchtest. 'Synchronicity's' big surprise, however is the explosive and bitter passion of Sting's newest songs. The lyrics on 'Synchronicity' describe honestly the bleakness of the world - our preoccupation with doom, our abandonment of love, the general lack of faith. Read the choicest cuts from the Quietus archive: reviews, features and opinion, Walking On The Moon: The Story Of The Police - An Extract & Q&A, Neil Young & When Musicians Lose Their Moral Compass, Call The Police! There is something personal about 'Oh My God' and 'Every Breath You Take' that lonely chest-beating like 'Message In A Bottle' was never privy to. He smiles with a mouth that looks like it's about to bite the head off a baby doll. Mein Lieblingsalbum von Police ist immer noch Regatta de Blanc. That he sites this intriguing meditation in a sumptuous pop melody and sings it multi-tracked voices of chill purity is no more than a skilled writer/performer fulfilling his dues, but that he does it at all is remarkable.
'Walking In Your Footsteps' is more of the same minus the obvious sloganeering: man's atomic armoury, ready to duplicate the dinosaur's course. Nor did it matter that Sting had worked as a primary school teacher whilst noodling away in various jazz combos in his spare time or that drummer Stewart Copeland’s father had been a CIA operative involved in covert foreign policy operations. Once again, the grind of daily suburban existence, monotonous in its repetition as painful struggles are made to make ends meet whilst trying to make some sense of a life that seemingly has no other purpose than to reproduce whilst making others rich from your labours. I'd prefer "The Thief of Baghdad", but it wouldn't be pretentious enough.
So it's always a little surprising to actually listen to a the group and find a band which makes sophisticated and pleasurable music, music which spends most of its time transcending bassist/lead singer/main songwriter Sting's rather humdrum depressions. Die auf 107 Konzerten angelegte „Synchronicity Tour“ tat indes ihr Übriges, um die „Policemania“, die das Album ausgelöst hatte, weiter zu verbreiten. "Musician, 6/83, 'Synchronicity' is really more autobiographical. Noch nicht registriert? What shall we put out as the second single...". Welche von den 2 Police-Dokus lief bei Arte? And we each have our own contributions to make. Ghost in the Machine | It is not a happy album. Their colossal status in America found the band headlining Shea Stadium in an evocation of The Beatles but it wasn’t to last. Dieses wurde um einen Satz Octobans – ohne die der Police-Sound um eine Farbe ärmer wäre – und eine Gong-Drum erweitert, beide auch von TAMA. "Musician, 6/83, "The theory that the 'Synchronicity' album is entirely a function of Sting getting divorced is a gross oversimplification, and naive.
Drei Stücke wurden als B-Seiten aufgenommen. Du musst angemeldet sein, um einen Kommentar abzugeben. Summers, meanwhile, squeezes some chords through his chorus/echo, and Sting sings: "My sisters and I have just one wish before we die...... improbable, about a chap who flies across the Sahara for his pre-ordained meetings with the sisters in question. Making Of: TALKING HEADS Remain in light (1980), Making of: Tears for Fears, Songs from the Big Chair, Making of: Portishead Dummy, Trip Hop (1994), Test: Fender Vintera 50s Telecaster, E-Gitarre, Test: Fender American Original 70s Jazz Bass, Making of: THE CLASH London Calling (1979), Making of: Iron Maiden, The Number of the Beast, Gründer der kalifornischen Supergroup Van Halen gestorben. Moreover, Synchronicity puffs itself up to deal with Big Themes. The Police: Synchronicity Concert | Typical Police pacing, with Copeland's hi-hat ticking away over Sting's stop-start bass line. 'Synchronicity' completes the madness of 'Synchronicity I' and it's on to side two. This "space" is evoked in an eerie, sprinting dub-rock style, with Sting addressing not only God but also a woman and the people of the world, begging for what he clearly feels is an impossible reconciliation. Andy Summers | This approach has the effect of amplifying them, transmitting the same urgency of 'Roxanne' and 'Message In A Bottle' but with subtler flashes. Aber in der inneren Wahrnehmung der Musiker schienen sich andere Bilder abzuspielen: Im März 1984 gingen sie nach Tourabschluss getrennte Wege, die sich für sporadische Benefiz-Auftritte wieder kreuzten, bis das Best-of Every Breath You Take: The Singles (1986) inoffiziell den Vorhang für die Band schloss. , Auf der Webseite Allmusic.com schrieb Stephen Thomas Erlewine, die Hits auf dem Album gehörten zum Besten, was Sting geschrieben hätte, machten aber auch deutlich, dass er für eine Solokarriere bereit war. I don't feel so much connected to that now. The most applicable comparison must be with Bowie. Drummer Stewart Copeland composed the musical score for the film Rumble Fish which spawned the radio hit single “Don’t Box Me In”.
'Every Breath You Take' is a Number One that jolts a chart full of counterfeit sophistication with an injection of the real thing.
Basically, it sounds like a frog farting. I guess mine was concerned with extinction. It's a very happy feeling - it's like the height of your popularity, you know that you do is going to connect in a very big way with a large group of people, and while that period lasts - and it can't last for ever - everything you touch turns this way. Other topics would appear to be include prehistory ('Walking In Your Footsteps'), mother fixations (Summers' 'Mother'), the pursuit of knowledge ('Wrapped Around Your Finger') and the fine art of murder ('Murder By Numbers', only included on the cassette version). Factor in Sting’s simplistic view of Carl Jung’s concept of synchroncity – “A star fall, a phone call/ It joins all” and it becomes apparent that the broad brush strokes applied here are going to be a running theme. If anything, Synchronicity does prove one point conclusively and that’s that The Police were, first and foremost, a damn good singles band. Kleine Anmerkung meinerseits zum Thema »… Allgegenwart von Michael Jacksons Musik …«. For a band rumoured to dislike each other, to be past their peak and on the verge of breaking up, The Police aren't doing too badly. Rick has a surprising dark side, a strong feminine side and, in a certain TV show, a naked backside. Diese Zäsur hat Eddie Murphy für mich im Prinz aus Zamunda perfekt auf den Punkt gebracht, mit Randy Watson and Sexual Chocolate https://youtu.be/TfMY5RyysWE ;) The Dude von Quincy Jones und Les Nuits sind weit abgeschlagen das Zeug was ich am meisten höre. Required fields are marked *. With each album becoming more reliant on filler and sub-par material, the singles always remained the perfect sound to fill the airwaves among the shocking dross that were the staples of daytime radio in that bygone age. Very portentous, with Gregorian chant intro. Support tQ's work by becoming a subscriber and enjoy the benefits of bonus essays, podcasts and exclusively-commissioned new music. It's an engaging collection. 'Synchronicity', the group's fifth album, is highlighted by the gently romantic 'Tea In The Sahara', 'King Of Pain', with its alternately monastic and cathartic moods, and 'Synchronicity II', an aggressive, steely pieve that uses a longer melodic line than usual in Police songs. Recorded in 1982 in the idyllic setting of Air Studios in Montserrat, Synchroncity was constructed under a great deal of strain as the personal and professional relationships between Sting, Stewart Copeland and Andy Summers began to unravel like so much bad stitching. Ich muss gestehen, vor 35 Jahren habe ich „Mother“ meistens sauber übersprungen, aber die Horizonte meines Musikgeschmacks waren um Einiges enger als heute ;-). Außerdem machte Summers teilweise von dem im Amp eingebauten Chorus-Effekt Gebrauch. It's a grand design, but I'm not sure if it come off or not. That's flattering in a way, but I thought we should try to sound a little different, so we pared away the things people have come to expect in our music. Vielleicht gibts ja Memoiren und eine Lesetour. The mood of cosmic anxiety is interrupted by two songs written by other members of the band. ), war Synchronicity dafür zuständig, Thriller – wenn auch nur für ein paar Wochen – von der Spitze zu kicken. "If we share this nightmare / Then we can dream," Sting announces in the title cut, a jangling collage of metallic guitar, percussion and voices that artfully conjures the clamour of the world. They're not connected logically, but symbolically and emotionally they are. And that is where this bleak, brilliant safari into Sting's heart and soul finally deposits us - at the edge of a desert, searching skyward, our cups full of sand.
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